And despite being on this planet for quite a while, and teaching in public school for 20 years, there is still a newness, a joy, a surprise, great gratitude, and hope that comes with each day.
This Solstice, (a very special SWS yearly tradition), we wanted to go deeper. We wanted to immerse the children and ourselves into the exploration of darkness as beauty.
We intentionally sought to change the paradigm. The season of the darkest days as delight. A time of coziness, discovery, joy, and reflection as opposed to complaining that it is cold, wet, and dark .
And so I share with you the transdisciplinary, polysensorial, and magical moments of these darkest days. May you find this documentation of children and the darkness symbolic and relevant.
Simultaneously, while exploring the dark, children were creating lanterns. This year, they made Fairy Lanterns.
The lanterns were not a one time make it take it. We read stories of how Fairies are caretakers of the earth. We learned that fairies are part of one of the 4 elements: air, water, fire, or earth. We learned that fairies live all around us, yet, in a magical world that is separated from us by an invisible door.
Using painter tape, allowed children to make the “invisible door”, which they removed to reveal their lantern’s fairy and light.
The multi-step artistic thinking, paired with exploring the dark in the studio and classroom, books of solstice history, fairy tales, and fiction with characters who encounter the dark, led to children developing their own relationships with darkness.
Popular culture inundates children with images, movies, books, advertising, and shows that exalt light as good and beautiful, and dark as evil and unattractive. How do these small daily doses of messaging affect one’s perspective over a lifetime? How does it affect a community and society over time?
“Inside everyone is a great shout of joy waiting to be born” (Quote from The Winter of Listening by David Whyte)
The Winter of Listening by David Whyte
No one but me by the fire, my hands burning red in the palms while the night wind carries everything away outside.
All this petty worry while the great cloak of the sky grows dark and intense round every living thing.
What is precious inside us does not care to be known by the mind in ways that diminish its presence.
What we strive for in perfection is not what turns us into the lit angel we desire,
what disturbs and then nourishes has everything we need.
What we hate in ourselves is what we cannot know in ourselves but what is true to the pattern does not need to be explained.
Inside everyone is a great shout of joy waiting to be born.
Even with the summer so far off I feel it grown in me now and ready to arrive in the world.
All those years listening to those who had nothing to say.
All those years forgetting how everything has its own voice to make itself heard.
All those years forgetting how easily you can belong to everything simply by listening.
And the slow difficulty of remembering how everything is born from an opposite and miraculous otherness.
Silence and winter has led me to that otherness.
So let this winter of listening be enough for the new life I must call my own.
We must take the time to linger in the beauty of darkness.
Through conceptual constructs such as darkness, children are given space to create culture as a community.
We are intentional in developing a culture that nurtures, questions, morphs, interconnects, and gives value to curiosity, inclusion, and expression.
Exploring meaning in life, searching for beauty, experiencing wonder, developing perspective, practicing kindness, expressing through 100 languages, and slowing down and listening are all tenets of our rigorous curriculum.
Nothing without joy.
Everything with gratitude.
As we enter into 2019 with our beloved community, we are reminded that no matter the difficulties in life, we are planting seeds in dark fertile ground together
And as Aviv says:
Happy New Year. It is a joy and privilege to share the journey with all of you.
I must thank all the folks who sent photographs and videos, both Erika and I had our hands full and were unable to do it ourselves. Thank you thank you thank you!
Thank you to Lynette Craig who did all the paperwork and phone calls to convince our city to shut down the streets for this parade (park service and the police!). She left to me- only to meet with the officers/officials and sign my name. You have powers!
Thank you to Erika Bowman, my sista Atelierista and dream-it-into-reality-parade- partner. I will miss you. But I get to keep the memories (and friendship!), lucky me.
After the video link is documentation of some of the early childhood experiences that inform the parade video.
As a team (Prek3, PreK, Kgn) we focused on a year long exploration of Global Environmental Citizenship. Here’s how it emerged in the studio context:
I was thinking about the complexities of “labor” today, on this Labor Day eve.
I was thinking about the labor or role of the teacher. The possibilities and power of relationship and transformation that can happen in a learning environment is on my mind as this new school year has begun. For me this is in the Atelier or Art Studio at SWS. It made me jump to the phrase “Labor of Love.”
Last Spring I became part of a year-long 12 person Art Educator DCPS Fellowship. ACES Art Fellowship. ACES stands for Adverse Childhood Experiences. The fellowship I am a part of aims to create a cadre of trauma –informed art teachers to develop strategies and practice within their art classes and then share and spread this work within their school communities and throughout DCPS.
What is ACEs science?
ACEs science refers to the research on the prevalence and consequences of adverse childhood experiences, and what to do to prevent them. It comprises:
The CDC-Kaiser Permanente ACE Study and subsequent surveys that show that most people in the U.S. have at least one ACE, and that people with four ACEs— including living with an alcoholic parent, racism, bullying, witnessing violence outside the home, physical abuse, and losing a parent to divorce — have a huge risk of adult onset of chronic health problems such as heart disease, cancer, diabetes, suicide, and alcoholism.
Brain science (neurobiology of toxic stress) — how toxic stress caused by ACEs damages the function and structure of kids’ developing brains.
Health consequences — how toxic stress caused by ACEs affects short- and long-term health, and can impact every part of the body, leading to autoimmune diseases, such as arthritis, as well as heart disease, breast cancer, lung cancer, etc.
Historical and generational trauma (epigenetic consequences of toxic stress) — how toxic stress caused by ACEs can alter how our DNA functions, and how that can be passed on from generation to generation.
Resilience research — how the brain is plastic and the body wants to heal. This research ranges from looking at how the brain of a teen with a high ACE score can be healed with cognitive behavior therapy, to how schools can integrate trauma-informed and resilience-building practices that result in an increase in students’ scores, test grades and graduation rates.
“ACEs are still experienced by more than one in three children under the age of six. Even in higher income families, more than one in four children have ACEs.”
Here is a wonderful link (where I copied the above info from)
It means a more intentional and informed practice of being the safety net for children within the context of the SWS Atelier/Art Studio.
A child does not need to have 1 or more ACES to benefit from me cultivating a compassionate and inclusive classroom based on ACES science. A child who does have one or more ACES has the added potential and benefit of altering their neurology, developing a sense of healthy connection, and developing necessary resiliency.
One of my favorite simple strategies within this work is to offer “unconditional regard.” It means taking a breath and offering love, even when a child presents in an unlovable behavior. It means routines, rituals, and language that lessens triggers. It means learning how to de-escalate children who are acting out with care and thought. It means thoughtful planning and facilitating of materials, environment, and lessons through this lens.
And let us not forget the power of the arts to heal. Materials or the 100 Language of children offer children (and adults!) opportunities to express, explore, experiment, and take risks. It allows one to reflect, make beauty, destroy, make mistakes, construct, and transform.
When opportunities to create art occurs within a safe inclusive space, with a teacher who verbally and non-verbally defines boundaries, offers freedoms, and unconditional regard, there is fertile ground for growth. And for joy.
SWS and DCPS are systemically committed to this work. It is an honor and privilege to meet consistently with the DCPS ACES Art Fellowship cadre under the facilitation of Lyndsey D. Vance, ATR-BC, LPC from ProjectCreate, DC in Anacostia.
This year, all the ongoing Reggio practice, Constructivist theory, Art Theory, Art Ed, Early Childhood pedagogy, DCPS Standards, Developmentally Appropriate planning, Project Approach, and Mindfulness practices that are embedded in my teaching at SWS, have a new connecting thread. Unconditional regard. Trauma informed practice. Love.
“Relationship is the evidence based practice.” Dr. Allison Jackson
Intuitively I have always known this. In my life, I have been both on the receiving and giving end. Now I have the science and fellowship to truly understand, share, and further develop my practice.
It seems most appropriate today to declare this work, this year, sincerely, as a Labor of Love.
Looking forward to connecting and reconnecting!
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